![]() ![]() It is an exploratory and curatorial work in the trajectory of Cuban artist Ricardo Miguel Hernández, which is anchored in the exercise of power and control that is still suffered today in contemporary societies, in this case with particular emphasis on the Cuban one, where he travels from the space of privacy, community and society in general. The references is not precisely aiming to understand the decolonial framework in Cuban society as a detachment from the Eurocentric power that it suffered for years but in showing in a reflective and suggestive way the result of scrutinizing, touching sensitive areas, questioning the course of a social project stranded in nostalgia, immobility, and arbitrariness: visible and experiential phenomena in today’s Cuban society. Bajo los efectos del poder, a project by Ricardo Miguel Hernández, curated by Yenny Hernándezīajo los efectos del poder (Under the effects of power), is a research process and curatorial proposal anchored in unveiling, through interdisciplinarity and artistic versatility, the historical and daily tensions that some societies and nations have suffered, victims −and sometimes victimizers, as a result of the attitudes of subjects with authoritarian tendencies− of despotisms, inconsistencies, and dystopias.
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